Gujustud
Member
weatherson said:Gujustud: Thanks and there's no secret. It's just that most everyone chooses not to do what it takes. That is preparation, preparation and preparation.All too often, this is bypassed in search of instant gratification. Unfortunately, the result from this thought process is usually less than spectacular. So, sanding and scraping are mandatory. I typically start with 120 grit for descent surfaces and 80 for the severely marred. Then 240 and finally 320. I use a buffing wheel on a stand-mounted grinder with proper plastic buffing compound. It takes about four passes to achieve perfect clarity. The areas not accessible by the buffer I flame smooth. This is a bit more difficult to master but with practice can prove to be equal to buffing. I just prefer to heat the plastic as little as possible so when not absolutely mandatory, I will go to the buffing wheel. Flaming takes great attention and a steady hand with eye-hand coordination. There's a point just after achieving the smooth finish where it all turns ugly.
Let's just say that it's easier to ruin a piece than it is to get it right.
Joseph
Gotcha. I've been reading up on the Acrylic questions, and got some good ideas.
Most of the work I'll be doing (now that i'm getting heavily into this hobby) will be done on the CNC, and some of the work I've done already comes polished off, just by running a high RPM. I was moreso just interested about the actual FLAT surfaces big surfaces. I guess some good high grit sandpaper, and buffing wheel will do.
Last question, do you use any type of compound?