<a href=showthread.php?s=&postid=14683763#post14683763 target=_blank>Originally posted</a> by TitusvileSurfer
I like the 50mm f/1.4 and while it is true I practically never take this lens out of the bag it because of the 24-70...it has its super wide aperture uses. I could sell it but...I like it too much and find times, such as shooting my brothers band in poorly lit bars and indoor skate parks, where the 1.4 holds its worth.
A 50mm lens is a great thing to have because it matches perception to the human eye. Things which are far away are the size they should be compared to things which are close. If I shoot someone in front of the statue of liberty @ 24mm, the person will appear larger than they really are. If I shoot someone in front of the statue of liberty @ 70mm, the statue will appear larger than it really is. @ 50mm everything looks the same size as it would in relation to everything else as if I was standing there looking at it with my own eyes. Even with my 24-70 I often shoot at 50mm specifically for this reason.
The 24-70 sees 10,000% more time mounted to my camera than my 50mm does. Really the 24-70 and 70-200 f/2.8 IS make up about 95% of my photographs (if not more). The 10-22 f/3.5-4.5, 50mm f/1.4, and 100mm f/2.8 polish up the rest...but they all have their place and purpose. I don't regret any photography purchase I have ever made.
If I could only use 1 lens for the rest of my life it would be the 24-70...but I sure would miss the 70-200! They really are two peas in a pod.