JaYbIrD1969
New member
It's interesting to me where peoples' sensitivities and image priorities lie. I agree hot spots can be inordinately distracting, and harsh lighting can negatively impact an image.
For me, doing many acro macros, I feel I often need to let the bright acro tips blow in order to have sufficient exposure to make out any detail in the rest of the image. To expose so as to not blow out the tips would, imho, result in an image which would have reasonably exposed acro tips floating in dark space. Cool from an abstract perspective but feels fundamentally underexposed to me. I don't really want to be tweaking each acro tip manually during post.
I've also read about shadow obsessed photographers who recommend over exposing a stop or two as when they dial that back during post, they achieve greater shadow detail than if they underexposed the image and pumped that up.
Thanks for sharing your concerns and techniques Jay.
Reef aquarium photography is one of THE most challenging subjects Ive ever encountered in photography, where many of my basic techniques don't apply! LOL. I cant agree with you more about exposing coral. Artificial reef lighting presents so many challenges and I humbly bow to you guys who take such amazing coral shots! Unfortunately, I sold off my tank several years ago when my photography skills were a lot less than they are now. I wish I had the access to a tank to explore the challenges now!
I have a very close friend that is a professional wildlife photographer. He took me under his wing and we went on hundreds of shoots together. It was really fun and educational to be shooting the exact same subject at the exact same moment and learning why the images looked different (Other than equipment quality differences). He likes the underexposed method for some situations and its where I learned it. My eye and my computer screen likes a darker image so it has become my shooting standard.
I photograph a lot of highly figured, exotic wood in a lightbox for my business. You just cannot capture the deep holographic appearance in the wood grains with an even exposure. Many of my shots for these products are as mush as 5 stops under!